Approaching an Artist About Gallery Representation
What a working artist reads in a first email from a gallery, the questions that go unanswered too long, and how to make the conversation short.
Read →Notes from the studio. How the generative systems work, what the laser and the mat board are actually like, and what it takes to turn an algorithm into an object you can hang on a wall.
What a working artist reads in a first email from a gallery, the questions that go unanswered too long, and how to make the conversation short.
Read →What to put in a donation request, how far ahead to send it, and why most of the ones artists receive get declined without a reply.
Read →Lighting, placement, cards, and reserves. The practical setup that separates an art lot that performs from one that sits there all night.
Read →How to set the stated value and opening bid on a donated piece, why the number matters more than organizers expect, and what it does to the artist.
Read →Why the expensive donated artwork sometimes goes for nothing, what the room is really bidding on, and how to choose art that performs.
Read →Not AI image generation. The quieter question of where these tools actually enter the work, where they do not, and where the line is still being drawn.
Read →A photograph flattens a dimensional relief sculpture into one angle and one moment. Here is how to actually experience one on your wall.
Read →What a studio is actually like while a 100W laser runs: the sound, the smell, the light, and the pile of cut layers cooling on the table.
Read →